![]() The phrase “edited for performance” denotes certain conventions: it has not simply been re-intabulated or transcribed directly. These tablatures include interesting and little-known music or media: the new volume of Czech lute music (Dix, Jelinek, Kohut), a collated suite by Johann Anton Logy, and Six Sonatas paraphrased for the six-course guitar (playable on the modern classical guitar) in modern guitar tablature, with music by Soler, Rodriguez, Mateo Albeniz and Scarlatti’s K. The Vihuela-Part Three: Confessions of a Vihuelista.The Vihuela: History and Style – Part Two.The Vihuela: History and Style – Part One.Bach’s Lute Suites: This Myth is Busted – Part I & Part II.See my exegisis about the historical development of the attribution of Bach’s “lute music” (and other things) here:Ĭlassical Guitar Canada: A collection of contributed guest posts by Clive Titmuss Note that I have added a transcription for the lute of a transcription by Bach of an oboe concerto by Alesandro Marcello, made as a gift to a friend. BWV 995 (Pieces pour la Luth) and 1010 (cello suite in C minor) each have their own lute versions, which differ substantially. They cover the thin-textured keyboard music which Bach wrote for a keyboard, (BWV 996-9), the complete Cello Suites (BWV 1007-12), and transcriptions of the complete solo violin works, (BWV 1000/1001- to1006/1006a). The Big Bach Lutebook, BWV 995-1012, contains all of the three volumes of the individual Bach Lutebooks. It is either computer typeset using Fronimo, or hand-copied in a tablature form which is diplomatic to the period. ![]() Here is my collection free of lute and guitar tablatures, which other than the facsimiles, has been edited for performance. ![]()
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